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interview
a conversation
between giko and his web operator ulysses, about
art, censorship, children and eroticism, and women who want
more
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giko
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U.: Giko, your images glow with intensity. Female
domination must be an important part of your life.
G.: Yes. Life, partners, art,
sexuality, all that belongs together. Fantasies are
influenced by reality and vice versa. I see fetishes
and roleplay as an exciting detour to reality.
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Have you actually experienced
female domination with real-life partners?
Do you play in the scene?
I
have attended fetish parties, erotic festivals
and sex fairs etc. Such events stimulate my appetite.
But I only satisfy that appetite in my own private
relationships, not through the services of
professional providers. I think eroticism is the
chemical that keeps the world together, if you just
let it. Erotic art serves mental and spiritual
freedom. Censorship does the opposite.
Erotic
art as a prerequisite for fulfillment?
It’s art in general, not just
erotic art. Free art simply means exercising your
inner needs and is directly connected to a person’s
mental and spiritual development.
The opposite of suppression
which is unhealthy...
Yes, to allow fantasy means to
expand one’s self. Fantasies are an integral part of
it. If you suppress them, you suppress your very self.
Just look at countries that are governed by
dictatorships. Art
serves only the interest of a few there. No
wonder that many artists stand with one foot in jail
at all times. Many of them with both, of course.
The
same goes for smut peddlers and pornographers. They,
too, ultimately live from freedom and perpetuate it in
your sense.
Sure. I didn’t mean only
people who create memorials, write critical pamphlets
and sing songs of protest. However, and just by the
way, I see one important difference between real
artists and pornographers. For artists their own
mission and obsessions are the driving force, for pornographers
it's quantity and distribution.
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Going
back to that key word, suppression. Both you and I
grew up in a catholic environment that had little
appreciation for erotica of any kind. I have the
impression that such a climate can produce
very strong and deviant fantasies. My own
childhood fantasies were feverishly intense and I
imagine that they wouldn’t have been so had I grown
up in an areligious and libertarian society... Or
witness Leopold von Sacher-Masoch who grew up in an
even more suppressive climate. His work, despite a
lack of explicity, is incredibly intense.
I
am not sure if a suppressive climate produces more
intense fantasies. I think it’s rather like a dam
that forces a build-up of emotions which
at some point discharge all the more violently.
Do you see a connection between your own tendencies,
your education and the crucified one?
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giko is
currently working on an extensive cartoon
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I'm not sure. To give yourself up is a pervasive theme
in christianity and that surely has influenced me. My
relationship with the “ideal woman” does have
something religious. That’s possibly the reason why
I find your “First Femdom” extremely appealing,
other pictures that show exaggerated genitals, not.
Yes,
every viewer has his own affinities. By the way, women
have told me more than once that they like those of my
images best in which the guys are really well-hung.
One said she is particularly aroused by a
submissive’s raging erection, and that she’d
much rather dominate a real guy
than one of those scrawny wimps you can see in,
for example, Namio Harukawa’s work. I get all
kinds of reactions concerning my femdom art from
women. Some are disturbed, some perceive them as a
compliment to their femininity. Some women who pay for
my art hope for more than just that.
Aha!
I believe there also was a particular incident in which
your own mother had an opportunity to savour some of
it.
That’s
right. I was sixteen at the time. Mom came into my
room and found me painting red roses and vaginas in
oil. She was utterly disturbed and asked me what I was
painting. I said: you can see what. But she wanted me
to explicitly state it. Her question had something
inquisitorial about it. I didn’t do her the favour.
What
are your earliest erotic memories?
I
noticed my tendencies and my longing for female
guidance at kindergarten age.
Any
memorable childhood occurences in this direction?
At
that time, I had a cheeky girl friend who enjoyed
having the upper hand in wrestling bouts and rubbing
her crotch on my chest and face. I always arranged to
end up under her. We played this exciting game
whenever we were unobserved, and for as long as we
lived in the same area.
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at ulysses's
request: giko tries his hand at a fight scene
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I
find it remarkable then that none of your images deal
with physical confrontation between man and woman.
Fantasies of mixed wrestling have created an entire
industry of videos, cartoons and stories…
I
certainly see the charms of power and submission in
wrestling. But it lacks the erotic component of the
forbidden, the secret, the sacrament. I find a fantasy
of bondage in bed more erotic than a bout on the mat.
Maybe I should try
moving the bout into a bed scene. Maybe that would
produce the kick for me.
Back
to the topic of childhood memories. I believe that
most discover their erotic side early on in childhood.
It is amazing then that many want to totally suppress
that, demand censorship of any material that involves
children in erotic contexts. Not to mention not
allowing children to view erotic material. As far as I
am concerned, those laws “for the protection of
minors” didn’t do any good. My fantasies have
always been “x-rated”.
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Yes.
I also feel that that is a huge hypocrisy. It has
helped me a lot to express my feelings in my paintings
early on. Actually, that is probably the reason why I
started painting in the first place. Art was one of
the few areas where I could be autonomous as a child.
Of course, children shouldn’t be forced or even
enticed to view erotic material. But when erotic
material arouses their interest, then it’s time to
answer the questions they might have about them, and
not suppress the interest instead.
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attentive viewers
will recognize this pencil draft of a digitally
completed image in the gallery
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These
days, most of your images have a photo-realistic
quality. How do you achieve this effect?
There
is a variety of techniques I use, and I apply them
according to my own moods or the requests of the
buyer. The photo-realistic effect is reached with the
help of a computer. The basis for those images are my
own paintings, pencil drawings or collages. And of
course, using the computer to produce the desired
outcome is a special skill, and the artist’s
secret.
Is
it possible to commission work from you?
Absolutely.
Anyone interested should feel free to contact me.
How
about those pictures on the website? Are they
available for purchase from you?
Not
at this time. I am hoping to find a
publisher/distributor for them soon. Again, anyone
interested and equipped for that, should feel free to
contact me. |
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